Curated by Sarvenaz Mostofey
Majority of projects in new media arts are being created under ephemeral circumstances, because of transitory nature of these projects, recording and archiving becomes an important undertaking. Preservation and re-presentation is of critical importance to the artists as well as the audience and the art spaces that are involved in these projects.
This program investigates various modes of documentations of sound installations/performances and how it can be perceived as an independent work and how this can generate wider audience for these kinds of projects. Re-sonic Re-view is an attempt to explore various experimentations in documenting sound, questioning if it can be identified as an independent medium itself. The program also seeks to demonstrate the evolutionary process inherent in the different approaches, in which sound plays a critical role in the artistic creation.
WAR SOUNDS Farahnaz Hatam and Colin M. Hacklander
Michel Waisvisz – The Hands
gen.er.a.trix Ali Phi, Sohrab Motabar & Sina Shoaie
.phenomenon of the syllable virginie dubois
species of spaces Sarvenaz Mostofey
Ground, Jeroen Uyttendaele and Dewi de Vree
OHHO / Body Cello, Wen Chin Fu
Shadow Puppet? , Mariska de Groot and Dieter Vandoren
Jonathan Reus – Satellite Skin
Rasping Music, Mohammad H. Zareei
‘WM_EX10 TCM_200DV A1.2FPP BK26′ Stefan Tiefengrabe